You are dealing quite well with mommy and daddy overestimating our stay this evening.
And now, the frantic wails of infancy are in their prime.
You're growing up so fast.
Yes, it's late.
Yes, you're hungry.
Yes, we'll be home soon.
Yet these words do not soothe
and the developmental stage
upon which you deliver
your tear-stained monologue
startles the unrehearsed understudies who've yet to memorize their lines.
Missing cues and freeway exits
as safety is disregarded
blocking with the binkie before the blinking
ghostlight waiting in the wings
reminds me to fasten my seatbelt.
Wednesday, April 2, 2014
Tuesday, April 1, 2014
Thirty//Thirty 2014 1/30: Wings
I meander through the aisles, absent from the task at hand
and the list you've meticulously scrawled for me on the back of an envelope.
I neglect the SPAM and the Hamburger Helper if only because you're not here to harass.
And I see HIM standing there.
Looooong black jacket, pants, shirt and shoes.
Looooong black hair and top hat with a silver skull upon it.
Goth would be too trite, wondering if your reflection can withstand mine and call it as I see it:
Vampire works for me, and I'm haunted because I mean no malice, but it lingers regardless.
Until I see the bite mark tattoo.
Absolved of my sin, knowing I am safe,
slipping by as you mesmerize customers in search of one thing or another.
Flickering fluorescent castle catacombs of the supermarket maze.
I met you today, outside your element, the fantasy of your profession.
You need the coffee to stay awake during the day.
An egg sandwich because you're saving your pennies.
We joke of the quality of the Weis store bagels, because we buy them two departments down.
It doesn't surprise me one bit you moonlight in the meat department,
training to be certified to wield those blades.
So he's human, just like the rest of us.
and the list you've meticulously scrawled for me on the back of an envelope.
I neglect the SPAM and the Hamburger Helper if only because you're not here to harass.
And I see HIM standing there.
Looooong black jacket, pants, shirt and shoes.
Looooong black hair and top hat with a silver skull upon it.
Goth would be too trite, wondering if your reflection can withstand mine and call it as I see it:
Vampire works for me, and I'm haunted because I mean no malice, but it lingers regardless.
Until I see the bite mark tattoo.
Absolved of my sin, knowing I am safe,
slipping by as you mesmerize customers in search of one thing or another.
Flickering fluorescent castle catacombs of the supermarket maze.
I met you today, outside your element, the fantasy of your profession.
You need the coffee to stay awake during the day.
An egg sandwich because you're saving your pennies.
We joke of the quality of the Weis store bagels, because we buy them two departments down.
It doesn't surprise me one bit you moonlight in the meat department,
training to be certified to wield those blades.
So he's human, just like the rest of us.
Monday, March 31, 2014
Epic Beards of Review: The Garden of Darkness
Gillian Murray Kendall’s The Garden of Darkness blooms with
subtlety. This post-apocalyptic young adult novel is like a little plot of
land: you till in early Spring, plant your seeds and sit back to watch it grow.
In an age where these end of the world
novels are shooting up like weeds, Garden blossoms and crowds out the others,
soaking up the glory of the sun for itself. Sure you’ve got to water and weed
it, but in the end, you’ve quite the bumper crop.
As an overburdened field suffers from loss of nutrients, we
get your obligatory plague decimation—but there’s a twist: the Cure. Of course,
if you happen to weather the plague and get said Cure, you’ve become a
stark-raving lunatic, much creepier than being a zombie. If you’re a kid and
haven’t yet succumbed to the plague, you now have to overcome the Cured and the
day-to-day survival of a fallen world.
There’s a certain honesty here in the way different children
handle their new-found lifestyles. It’s not just about missing their folks, it’s
about how they deal. Our heroes are at times child-like, but not childish. The
fact that survivors mentioned child services more than once was interesting, as
were the way suicide and death in general. Much love to a character’s lethargy
in response to basic hygiene. Too neat.
And although the main character wore her crush’s letterman
jacket for the entirety of the novel, it acted as a tether to the former world,
but not in a gooey, overly sentimental way. There is the slightest hint of love
story taking place here, too, but it is deftly handled as mild flirtation. Without the pressures of societal norms and
high school drama, it allows itself to develop naturally.
Character development is spot-on as more and more hangers-on
are introduced into bands. They balance well, unlike typical adventure novels
where particular characters have special skill sets. Here, they just are: kids
will be kids. Even the behemoth of a dog, Bear, our main character befriends
early in the story, isn’t used as an easy way out of harmful situations.
Two of the more stellar plot points to note:
Not giving anything away, but there’s a grown man who deems
himself “master-of-the-situation” whom is gathering children to his aid. As the
book progresses, his intentions become clearer and it is compelling to see his
chapters interspersed amid the novel as a parallel to our roving band of
children and teens.
There’s also an aside about halfway through highlighting
characters which we’ll never get a chance to interact with. As a brief
interlude it was captivating to read of their ill-fated exploits in comparison
to our main characters.
The ending sneaks up on you, and it’s worrisome that loose
ends won’t be tied up. It was, however, clear, concise and a quite sharp way of
ending things. It is beautifully wrought, and won’t be tied up in another
series where you get a book and movie deal.
And so we return to the garden aspect of this book. Its
shooting tendrils sprout up time and again about the pages literally and
figuratively looking for a way to grow amid the darkness. There is some good
fruit here, and it should be eaten of heartily.
Tuesday, March 18, 2014
Shootout at the O.K. Corral
Shootout at the O.K. Corral
Tumble weeds whisper
across the barren landscapes of my heart.
The ghost town stands empty,
save that last lone leper
holding on with dear life
pulling up that poisonous patch of devil grass.
Wind whipping through
the bat wings of the saloon
looking for one last shot.
Speak those words to me
amid all the excuses
back peddling
and dried up wells.
Water and oil parting ways
still panning for fool’s gold
a King’s ransom
bought and paid for
by his blood,
slipping through your fingers
like a sieve.
Bid me pick up my mat and walk.
Walk the walk and talk the talk
shake off the dust of this world
in places that are too close for comfort.
I know not how it got there.
Get out of Dodge
while you still can.
Vultures,
circling overhead
this town’s for the birds.
Keep on keeping on
the path.
one step at a time,
one day at a time.
Because over that hill
is your oasis,
maybe more desert
or just a mirage.
But at least you’re making good time.
Thursday, March 13, 2014
Poem Trio
This gem (and many more!) can be found at Amazon for your e-reader!
Poem Trio
Last Time We Talked
He may be lucky
to have you,
but somewhere out there
there's somebody
just as lucky
to be rid of you.
Re-gifting
No time
like the present
to present yourself
to the world
Tied up tight
in ribbons and bows
All wrapped up,
a perfect little package
you give yourself
to the next guy to come along.
A Fond Remembrance
I seem to remember a time
when there was a reason
we broke up,
but I
don't quite
remember what...
Oh...wait.
There it is.
Tuesday, February 25, 2014
Epic Beards of Review: Merrick: The Sensational Elephantman
The only knowledge I’ve got of Joseph Merrick, the Elephantman, is from
the brief, silly mention of him in the Barenaked Ladies song “If I Had $1,000,000.” It’s been rumored that Michael Jackson owned them at one
point, but you know how celebrity gossip can be.
If I had a cool million, however, I’d invest heartily in “Merrick: The Sensational Elephantman” by Tom Ward, artist Luke Parker and letterer Nic J. Shaw. Merrick follows the somewhat true story of Joseph Merrick blended with gaslamp fiction in this 1880s Victorian comic tale of carnival freaks and the occult.
Beautiful blacks and blues portray this first issue as a stepping stone into the life of Merrick, and the slippery slope he’s about to take into the London underworld. Paneling is inventive, and really creates a sense of urgency.
There’s a lot of talk here, but it’s dragging us deeper into Merrick’s story, along with some abominable characters. Everyone seems to be friends, which is nice, but there’s certainly a dark undertone to their kinship that’s raising the hackles on the back of my neck. Not to mention the haunting surprise guests creeping in at the end.
Even if this wasn’t a beautiful work of art, the fact that you can get it for free makes it a no-brainer.
What’s that? This Kickstarter project is giving away a download of the first issue FOR FREE?!
Yes, true believers!
Be sucked into the sensational story!
Feast your eyes upon the unbelievable art!
Languish in the lovely lettering of this work!
Of course, with any crowdfunding project, they’re looking for you to help contribute as well, and they’ve made the booty tantalizingly attractive. They’ve got your normal rewards such as PDF and print copies available to pledge for, but there are also nifty incentives and add-ons like a special illustration book called Skull Culture by Parker, a chance to be edited by their editor Clare and a reproduction of the original autobiography of Merrick himself!
Head on over to their Kickstarter page and watch as Liverpudllian Tom Ward sits by the fire with a glass of some exquisite alcohol to tell you all about Merrick and what he’s put into it. If you’ve got yourself a coupla bills to throw around, stop by and pledge to this horror/adventure tale.
This column originally appeared at Striptease--The Magazine.
If I had a cool million, however, I’d invest heartily in “Merrick: The Sensational Elephantman” by Tom Ward, artist Luke Parker and letterer Nic J. Shaw. Merrick follows the somewhat true story of Joseph Merrick blended with gaslamp fiction in this 1880s Victorian comic tale of carnival freaks and the occult.
Beautiful blacks and blues portray this first issue as a stepping stone into the life of Merrick, and the slippery slope he’s about to take into the London underworld. Paneling is inventive, and really creates a sense of urgency.
There’s a lot of talk here, but it’s dragging us deeper into Merrick’s story, along with some abominable characters. Everyone seems to be friends, which is nice, but there’s certainly a dark undertone to their kinship that’s raising the hackles on the back of my neck. Not to mention the haunting surprise guests creeping in at the end.
Even if this wasn’t a beautiful work of art, the fact that you can get it for free makes it a no-brainer.
What’s that? This Kickstarter project is giving away a download of the first issue FOR FREE?!
Yes, true believers!
Be sucked into the sensational story!
Feast your eyes upon the unbelievable art!
Languish in the lovely lettering of this work!
Of course, with any crowdfunding project, they’re looking for you to help contribute as well, and they’ve made the booty tantalizingly attractive. They’ve got your normal rewards such as PDF and print copies available to pledge for, but there are also nifty incentives and add-ons like a special illustration book called Skull Culture by Parker, a chance to be edited by their editor Clare and a reproduction of the original autobiography of Merrick himself!
Head on over to their Kickstarter page and watch as Liverpudllian Tom Ward sits by the fire with a glass of some exquisite alcohol to tell you all about Merrick and what he’s put into it. If you’ve got yourself a coupla bills to throw around, stop by and pledge to this horror/adventure tale.
This column originally appeared at Striptease--The Magazine.
Wednesday, February 12, 2014
Tub Time
shake shake shiver shiver
shiver shiver shake
fill up, fill up the tub
it's a bath we'll take
set set sail upon the seven seas
and see what we will see
a peg-leg pirate and a parrot
are friends for you and me
shake shake shiver shiver
shiver shiver shake
fill up, fill up the tub
it's a bath we'll take
we've got colored crayons
writing on the wall
tonite tub time beats storytime
till the waters wash them off
splish splash splish
drip drop drip
onomatopoeia
hey, baby, words are hip
grab your rubber duckies
the creature from the black lagoon
before bubbles suck them down the drain
we'll see them again soon
shake shake shiver shiver
shiver shiver shake
fill up, fill up the tub
it's a bath we'll take
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