Jason Lenox stalked me over Facebook.
He’d found me through some sort of sleuthing, but I’m kind of glad he did. As a local illustrator, he sent me a PDF of his Ugli Studios Presents #1
so I could review it over at The Oracular Beard. I’m not a fan of
reading my books over the interwebs, but enjoyed it immensely, and
sought him out at Nittany Con, an itty-bitty convention about twenty
miles from my hometown.
Being a writer myself (Jason an illustrator—always looking for an in)
it was great to jaw about his work and not the least of which was his
convention upkeep and how he uses Kickstarter to fun his projects. It’s
always a nice feeling supporting a friend, so a hardcopy of USP #1 and
The Art of Jason Lenox were easy to walk away with.
Not to mention delusions of grandeur about one day getting my work out there.
And the fun didn’t stop there.
Jason had a new Kickstarter campaign starting up (Ugli Studios Presents #2) in which he was
illustrating David Paul’s The Painted Ladies of San Quentin. I eagerly
signed on for the appropriate level of hardcopy goodness and hunkered
down to wait.
I swear, every time a new page was finished, there was an email from
Lenox’s page ready to share. Things were looking good, but nothing
compared to having the final product in my hand. And oh, how it all came
together.
Painted Ladies takes us back to the wild west of America 1850. What
looks straight from a Sergio Leone spaghetti Western Paul and Lenox ramp
up the action quickly as the sheriff’s whore puts a price on Elijah
Holman’s head. No use for the “Dead or Alive” shenanigans here, Jessica
Belmont would rather just have him dead, damn her conscience.
The use of sepia tone really gets the feel for the old West and the
flashbacks in black and white are a nice touch. The paneling is fun and
quite like something you’d expect from a Tarantino flick. Plenty of
action and memorable characters make the opening twenty-two pages legit.
The next six pages are a gem written and illustrated by Brian Allen.
The Courier delivers you right into the action with some guy keeping
this box away from some nasty-looking insectoid aliens. Nice
one-and-done story tucked away tight.
Thirteen is another six-page creep-fest with a dark, twisted feel
written and illustrated by Joseph Freistuhler. Has that Vertigo bend to
it that you’d find tucked away in an anthology. Could see this taking
off into something larger, along the lines of Fringe or The X-Files. You
can just imagine this oozing with history.
Great sophomore effort from the Ugli Studios team. Buy yourself some of his work here, or donate to his Kickstarter for the new black-and-white (un)Painted Ladies!
This article was originally published at Strip Tease.
Showing posts with label Jason Lenox. Show all posts
Showing posts with label Jason Lenox. Show all posts
Tuesday, October 22, 2013
Friday, January 25, 2013
Something beautiful from Ugli Studios
It's always a pleasure when someone in comics seeks you out. Someone, no matter how small-time they are, still big enough to believe in themselves and do the leg-work to get you their stuff. I know the internet can be a huge, daunting place, but I'm sure it wasn't easy singling this guy out.
Oh, who'm I kidding. Free comics make the beard bristle.
So, I'm sorry I've not gotten this out sooner, but writer/illustrator shouldn't have a problem getting fans to stop by his table at artist's alley, or wherever it is he happens to hold up cons or shops. I read a review he posted by folks that have been doing this much longer than I have who panned the whole issue and I didn't want my review to be burdened in any way.
All in all, I'm still impressed he was emboldened enough to plop their review on his site.
Without further ado, here's the skinny:
Ugli Studios thisisugli.com
Through the Eyes of Grizmelda
Story: Jason Lenox & David Paul
Pencils & Inks: Jason Lenox
Colors: Dani Kaulakis
Lettering: David Paul
Map: Joseph Freistuhler
The issue opens with nice map of the land of Xendria and the age-old story of a land in turmoil. We get a very brief history of the upheaval and some backdrop of the necromancer Amon Kadeshi. There's also a little backstory of the necromancer's familiar Grizmelda and a mention of The Great Beast. But we'll get to that.
What can I say, I'm not a cat guy. Your cat people will love it, and I loved it because this is how I feel about all manner of cats: there's just something evil about them. Cats, not cat people. Though cat people (humanoids) would be pretty creepy, too.
The art is great and panels really define the story here. Very interesting to see the "bad guy" necromancer be your protagonist, but everyone has to fight for something, right? Ends quite well, and creepy as hell, with that damn cat in his lap
Nice addition of some pin-ups at the end.
The Great Vermin
Story: Jason Lenox & David Paul
Pencils & Inks: Jason Lenox
Colors: Dani Kaulakis
Lettering: David Paul
In only six short pages, Vermin really gets into a deep place in our psyche as to the differences between good and evil and our place in them. Again, great art and panel work is amazing. Page 3, Panel 2 is an amazing shot of flowers jutting up from a blasted corpse. Feels like the 60s all over again.
Neat futuristic-looking pin-up by Joseph Freistuhler at the end really rounds things out.
All in all a great first issue one. Would like to have not read it digitally, but I'm sure this guy has plenty this weekend at Setsucon, January 26-27 at the Penn Stater in State College, PA.
Oh, who'm I kidding. Free comics make the beard bristle.
So, I'm sorry I've not gotten this out sooner, but writer/illustrator shouldn't have a problem getting fans to stop by his table at artist's alley, or wherever it is he happens to hold up cons or shops. I read a review he posted by folks that have been doing this much longer than I have who panned the whole issue and I didn't want my review to be burdened in any way.
All in all, I'm still impressed he was emboldened enough to plop their review on his site.
Without further ado, here's the skinny:
Ugli Studios thisisugli.com
Through the Eyes of Grizmelda
Story: Jason Lenox & David Paul
Pencils & Inks: Jason Lenox
Colors: Dani Kaulakis
Lettering: David Paul
Map: Joseph Freistuhler
The issue opens with nice map of the land of Xendria and the age-old story of a land in turmoil. We get a very brief history of the upheaval and some backdrop of the necromancer Amon Kadeshi. There's also a little backstory of the necromancer's familiar Grizmelda and a mention of The Great Beast. But we'll get to that.
What can I say, I'm not a cat guy. Your cat people will love it, and I loved it because this is how I feel about all manner of cats: there's just something evil about them. Cats, not cat people. Though cat people (humanoids) would be pretty creepy, too.
The art is great and panels really define the story here. Very interesting to see the "bad guy" necromancer be your protagonist, but everyone has to fight for something, right? Ends quite well, and creepy as hell, with that damn cat in his lap
Nice addition of some pin-ups at the end.
The Great Vermin
Story: Jason Lenox & David Paul
Pencils & Inks: Jason Lenox
Colors: Dani Kaulakis
Lettering: David Paul
In only six short pages, Vermin really gets into a deep place in our psyche as to the differences between good and evil and our place in them. Again, great art and panel work is amazing. Page 3, Panel 2 is an amazing shot of flowers jutting up from a blasted corpse. Feels like the 60s all over again.
Neat futuristic-looking pin-up by Joseph Freistuhler at the end really rounds things out.
All in all a great first issue one. Would like to have not read it digitally, but I'm sure this guy has plenty this weekend at Setsucon, January 26-27 at the Penn Stater in State College, PA.
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