It's always a pleasure when someone in comics seeks you out. Someone, no matter how small-time they are, still big enough to believe in themselves and do the leg-work to get you their stuff. I know the internet can be a huge, daunting place, but I'm sure it wasn't easy singling this guy out.
Oh, who'm I kidding. Free comics make the beard bristle.
So, I'm sorry I've not gotten this out sooner, but writer/illustrator shouldn't have a problem getting fans to stop by his table at artist's alley, or wherever it is he happens to hold up cons or shops. I read a review he posted by folks that have been doing this much longer than I have who panned the whole issue and I didn't want my review to be burdened in any way.
All in all, I'm still impressed he was emboldened enough to plop their review on his site.
Without further ado, here's the skinny:
Ugli Studios thisisugli.com
Through the Eyes of Grizmelda
Story: Jason Lenox & David Paul
Pencils & Inks: Jason Lenox
Colors: Dani Kaulakis
Lettering: David Paul
Map: Joseph Freistuhler
The issue opens with nice map of the land of Xendria and the age-old story of a land in turmoil. We get a very brief history of the upheaval and some backdrop of the necromancer Amon Kadeshi. There's also a little backstory of the necromancer's familiar Grizmelda and a mention of The Great Beast. But we'll get to that.
What can I say, I'm not a cat guy. Your cat people will love it, and I loved it because this is how I feel about all manner of cats: there's just something evil about them. Cats, not cat people. Though cat people (humanoids) would be pretty creepy, too.
The art is great and panels really define the story here. Very interesting to see the "bad guy" necromancer be your protagonist, but everyone has to fight for something, right? Ends quite well, and creepy as hell, with that damn cat in his lap
Nice addition of some pin-ups at the end.
The Great Vermin
Story: Jason Lenox & David Paul
Pencils & Inks: Jason Lenox
Colors: Dani Kaulakis
Lettering: David Paul
In only six short pages, Vermin really gets into a deep place in our psyche as to the differences between good and evil and our place in them. Again, great art and panel work is amazing. Page 3, Panel 2 is an amazing shot of flowers jutting up from a blasted corpse. Feels like the 60s all over again.
Neat futuristic-looking pin-up by Joseph Freistuhler at the end really rounds things out.
All in all a great first issue one. Would like to have not read it digitally, but I'm sure this guy has plenty this weekend at Setsucon, January 26-27 at the Penn Stater in State College, PA.
Friday, January 25, 2013
Thursday, January 24, 2013
These Things Are Mine
In keeping with the output, I figured I'd give you a glimpse of Traveling Tales that I've been working on since time out of mind. I handed this in for workshop a few years ago and had my arch-nemesis read it, BOTH to a wonky array of critiques.
Again, this is very beginning of my creative life (though new) and I'd have trouble giving up this piece, word-for-word. I have since added more, clipped more, and have a bit of a different take than I had previously. Even stuff here is making its way to the end, but maybe more on that later.
He
knelt at the fireplace, however briefly, jittery in anticipation of the day—if
not for the need to make pee before he wet himself. He poked absently at the snuggling fire coals
with their white-ash night caps, transfixed by the glowering glowing warmth as
they came to life, almost angry for being woken from their ember sleep. Struggling in the hearth, they sputtered and
spit in their irritation, voicing their concern for the morning chill. Reds and yellows played across his face as he
peered into the widening gyre of the hearth’s hellish depths. Throwing one final log into position kicked
sparks up the chimney, winking towards finality as the wind sucked them outward
into the early morning sky.
He
took the stewpot from its fireplace hook, making his way through basement
quarters to the garden to fill the pot from the rainwater gutterbucket. Like a ghost, he glided silently along the
rows, crops tickling the tops of his feet with dew. He’d been out here mere hours ago, trying to
go, staring up between the branches next to the tree where he marked his
territory. He hadn’t done a thing,
though, shaking his head as he shook the few little dribbles he’d managed to
squeeze out. Back through the yard, eyes
to the stars, a near-silent night offering up a near silent prayer to God up
there. Barry waited for an answer, not
really expecting to hear one. The stars
twinkled and shone, heaven’s angels silently laughing at him in the multitude
of the expansive night.
Barry
Carlson thought about this as he made water.
He was not a praying man. He paid
his respects in church, silent saint amid the motions—sit down, stand up,
kneel, ad nauseum—the repetition boring him, taking him farther from what he
believed church could give him. He was
tired of giving and sacrificing, and now he wanted a little back for his time
and effort offered. He knew that wasn’t
how it worked, and he believed, truly he did, but why in this wide world wasn’t
there a place for him?
It
had been a dry spring thus far, but there would be more than enough water to
get his pappy along until harvest, should the caravan not be back by then. Stewpot filled to the brim, Barry hefted it
and waddled back inside to replace it above the fire that had caught. What little heat it was making would be
plenty to get the shower water hot. In
the meantime, Barry would nap, if just for a little bit; knowing full well there was no chance that
sleep could overtake him with such little time left to go, he lay down just the
same, excitement veiling the threat of oversleep to keep him stranded in this
town for another summer.
It
wasn’t that he loathed the place, far from it.
Truth be told, Barry loved Haven, and it had grown on him the way no
other city in the county. Except…like a
toenail gone rogue, the whole of Clint had been poking and prodding just below
the surface of the skin. Like the
infestation that it always proved itself to be, that pesky little bugger hurt
like the dickens—and sent him home packing, limping back along the path.
But
sleep he did, or so he believed, restless as it was. Caught between waking dreams and nightmares
putting up another gruesome stand at the forefront of his mind, fireworks
whistled and howled their incoherencies at he and his pappy, watching from the
porch. The cacophony city-side lit up
the sky and echoed down the Sus’kenny River Valley. It was a song Barry longed to hear, leaping
from his sitting place and racing to the road, following in short bursts as
each barrage of the spectacle reached the heavens. The farther he made it from the house,
however, the more intermittent the display of lights became. He knew the road well, even in the dead of
night, but now, as the dark assaulted his senses, enveloping him, crashing down
around him and bringing him to his knees.
This
is the exact moment in time which something on the horizon has been waiting,
the formless and empty darkness chooses to release Barry from his kneeling
posture. The glorious rays grasping at
the treeline, inching above the mountaintops as the dawn pokes its head for
what may very well be the first time ever.
Barry tries to look upon the colors radiating from the corona, the crown
of the sun bleeding out another victory, shouting from the rooftop across the
morning sky. The brief testament that
proved to be the fireworks’ finale stands in only for another beginning. The calamity which has ensued, awoken the
light, and the tendrils of night dissipate as a silent fog from around the
boy’s heart, and in a still, small voice weaving its way into his head
“Barry. Hey, Barry…”
The voice of the big man upstairs shook the foundations in Barry’s
bedroom, snatching him from dreams that proved to be as out of place as he
was. Harsh sunlight coursed through the
garden doorway, displacing Barry some two hours later than when he lay his
head, patient, waiting. The clock chimed
upon an ominous eight-fifteen, gears grinding as his brain pondered this,
squinting in incomprehension.
Calculations muddled his thoughts, making miscalculations, and then righting
themselves with the realization he was going to be late.
Lack
of sleep and the abruptness of his call to being awoken had left him with one
big headache, pain making its good ol’ time from the base of his skull where it
met bunching at the neck, up over the top of his head to his eyeballs. Along with this came the smells of breakfast,
easing their way towards him, Barry’s stomach queased in emptiness of belly and
the uncertainty of the day to come. He
doffed his clothes, grabbed at the warm
water waiting and streaked outside to the shower.
As
water cascaded about him, Barry was glad for what little rest he managed. The haste of his lateness spurred him into
action, making it farther in a shorter time than he would have made had he
stayed awake, puttering around. The
urgency the shower placed upon his shoulders also made him more than grateful
for the last warm shower he might have in a while. Either way, it was over sooner than he had
hoped, dragging his bucket and soap, dripping inside.
Barry
got caught up in his pants, trying to maneuver two legs into one of the
homespun wool slacks, falling to the floor.
Yet in his fumblings, he located his missing moccasin that would prove
invaluable for the trip; now he wouldn’t have to buy a new pair. Leather jerkin topped things off, bone
buttons undone, knowing full well the heat of the morning would be coming on
quick.
Thursday, January 17, 2013
The Artist's Way: A Travel Guide
Books with Your Barista
Jared A. Conti
This Way is not for the faint at heart
My copy is beaten up, broken down and a little toasty around
the edges. By notations inside the book, I started a journey almost four years
ago to the day, but there are life references that lead me to believe that I’ve
worked through it at least once since. And this isn’t the first copy I’ve had
the pleasure to own. I’ve started paging through my copy, though there’s one in
the mail coming any day. I need to retire this one because I don’t want all my
notes from past years bogging down my thought process.
The Artist's Way by Julia Cameron is not for the faint at
heart. I’ve meandered along this 12-step creative recovery course a handful of
times, and I still struggle and get caught up from time to time. Though you
could classify this as a self-help book (what better way to start the new
year?) at the same time, you’ve had all the help you’ve needed until this
point. The Artist’s Way helps you get
through it all.
Labeled as a creative recovery, you don’t need to be a
creative to make headway here, the book nudges you along. This program, to be
done singly or in groups follows two simple tenets: morning pages and artist
dates. There’s plenty of “homework” at the end of each chapter to keep you
moving in the right direction.
Morning pages consist of three written longhand pages per
day, which sounds harder than it is, but once you get grooving there’s no
stopping you. Artist dates are meant to get you out and doing something, preferably
alone, to get your brain moving about. Ms. Cameron makes you think of
creativity like a well: pages dump out the stagnant water while the artist
dates are there to fill the water back up with clean.
This book digs deep and tears open parts of you that were
long forgotten. Sometimes you didn’t even know they were there. Old hurts are
remembered, but with them comes healing. What you can do as a creative
individual knows no bounds.
Treat
yourself to a real gift during this cold, dreary season.
This was originally published in the Lock Haven Express, 01/17/2013.
Saturday, January 12, 2013
SUICIDE PSA
Wrote this beauty a couple of years ago. Performed a few times with The Echo & Sway, even to the point of being the first real performance piece I've ever used props for. I've got another that I'll have to dig up, but this is enough for today.
I didn't want to write it then, and I certainly didn't want to publish it again, but I think a conversation needs to start. I'm not sure what to say other than I'm tired of thinking about this crap.
I know folks have it rougher than some, but seriously, The Beard is here for you.
If you need someone to talk to because you've been affected by it, The Beard is here for you.
If you're thinking about it, The Beard is here for you.
Always.
To
Write:
Love
in Her Arms
Your testament
is written here,
not for the cause
that I want to please you
but because I’m pleased
to want you.
Indelible ink
tattooed into my
veins, flooded
with the permanence of
your love
not to bring pain,
only the attention
to self, me
that I so greatly desire
above all things.
Unsure of which
direction to go,
sinews connecting the
horizontal and the
v
e
r
t
i
c
a
l
do not adjust your television set,
they must deem me crazy.
Slipping under
hot and cold
make no matter, either
way works just
as well.
It’s the sensitivity
to the pain
I’m losing
a cry for help
can’t say it
any other way.
God, how I plead
for an escape.
Saturday, January 5, 2013
Holy hook, line and sinker, Batman!
In what sounds like one of Edward Nigma's nom de guerre, riddle me this:
What could make this guy even nerdier than just reading comics?
Upping the ante with DC Universe Superhero Lego.
Though I've previously gotten a hold of the Superman minifig for my wedding (blog to come) and the Lex Luthor/Superman/Wonder Woman as a gift for said wedding (sorry Casey and Heidi) see what stopped me dead in my tracks in the Lego aisle took priority over any kind of shopping for anyone else I was currently doing. And my newish bride, of the aforementioned wedding, was kind enough to oblige me.
I think a lot of the draw of this set was the fact that I'd not even known it existed. I'm not one to case the aisle all that frequently, but it seems like the prices of sets are through the roof lately. Yet the real reason was that I HAD to get a hold of Mr. Freeze and Aquaman!
Okay, so the Bat-boat is a pretty cool addition to my collection, especially with the spinning flame out the back and the honest-to-goodness projectile weapons. And since it's an ice scene, I could even get past the winter armor Batman. (I'm never big on switching up costumes.)
Every aspect of the Mr. Freeze minifig is hauntingly cool right down to the containment suit and with bluish faceplate and gun. Aquaman is "frozen" in a block of ice that breaks apart when you flick a switch. Aquaman himself (and Bats) has a rotating head with two different expressions, not to mention a wicked-looking trident. He's never looked better, and he's got the hair to prove it.
The set took awhile to complete, and I had to take a step or two back when it seemed like things weren't working quite right. The ice prison is a bit tricky to put together after you make it fall apart, but I'm impatient and my hands are three times the size that of a small child.
The DC comic that comes with it is wordless except for the fight scenes, but it's a fun romp through Lego Gotham. It references other sets like Arkham Asylum and maybe a few models based off of The Dark Knight Rises with Bane and Jim Gordon minifigs. Maybe we'll have to do some research.
All in all a great set that gets the Beard of Approval. Definitely worth my time and money.
Wednesday, January 2, 2013
Chinese New Year
This year marks the fifth anniversary of The Echo & Sway. Formerly known as The Jared Anthony Show, it is comprised of myself and my buddy Anthony. We aptly named it after my first and middle names in case the two of us should ever split, I could still have a band. Sometimes it really is all about me.
Anyhow, the new name came about when we needed something a little more professional maybe, and the addition of a bass guitar into the mix, who never ended up coming around anyhow. The name comes from an Elvis Costello song "The Angels Wanna Wear My Red Shoes" which we cover. We've got a folksy rock appeal with some punk leanings. There's also some spoken word thrown into the mix just for kicks and giggles. You can get a taste of what we're like HERE.
So yah, five years. We're talking about pulling some of our lesser-known covers and originals out of storage and airing off the mothball smell of your grandmother's attic. This was sort of a "moving on" song I wrote, sandwiched by a spoken word bun. I passed it onto Anthony who originally hated it, then loved it whereas I hated it. we'll look into it for the anniversary show and see how it sounds.
Coincidentally, all things being cyclical, the actual event of Chinese New Year becomes a nice focal point of Traveling Tales' Metro. More on that in a month or so when it actually happens. Here's the poem:
Chinese New Year
Got a fortune cookie
just the other day
and I don't listen
to a thing they say
So I ate the first half
that's how I do it
never looking back
there's nothing to it.
It said:
What are you waiting for?
Start moving now.
Get your feet up off the floor.
Don't worry how
Lots of people out there searching
at the bottom of the well
but what they find there in the darkness
I don't want to be the one to tell.
Stare at the abyss too long
you'll find it staring back
with hairy eyeballs and crazy teeth
ready to join in the attack.
And it said:
What are you waiting for?
Start moving now.
Get your feet out on the floor.
Don't worry how.
It's already too late
when you turn to run
looks like you've sealed your fate
my, but wasn't it fun?
You could be late for supper
you could be late for class
long as your not late to your own funeral
if you are get off your ass.
And say:
What are you waiting for?
Start moving now.
Get your feet out on the floor.
Don't worry how.
So I ate the other half
to make it all come true
then I took you by the hand
to show it's all brand new.
Just listen to the words I say
don't worry 'bout the end
this is only my translation
we'll start a whole new trend
and we'll say:
What are you waiting for?
Start moving now.
Get your feet out on the floor.
Don't worry how.
What are you waiting for?
Start moving now.
Get your feet out on the floor.
Don't worry how.
Don't worry how.
Don't worry how.
Tuesday, January 1, 2013
Beginning of the End?
Someone asked if I'd do a review of World War Z by Max Brooks. Already in the can, man!
These're the old reviews, so you'll even see me rating them with the ol' beard scale!
If you click here on the link, you'll find my LHU Eagle Eye article from 10/20/11. There's also a nice review of the premiere of The Walking Dead season 2 opener. There's ALSO a nice picture of me in my zombie get-up for a small film I did a few years ago.
Maybe if you're lucky, I'll see if I can dig it up. Get it? Dig it up? See what I just did there?
These're the old reviews, so you'll even see me rating them with the ol' beard scale!
If you click here on the link, you'll find my LHU Eagle Eye article from 10/20/11. There's also a nice review of the premiere of The Walking Dead season 2 opener. There's ALSO a nice picture of me in my zombie get-up for a small film I did a few years ago.
Maybe if you're lucky, I'll see if I can dig it up. Get it? Dig it up? See what I just did there?
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